Exhibitions
2013
Materials: Inflatable spheres, HD projection from Blu-ray, wood, glass, carpet, framed photographs, ventriloquist dummy, stools, stereo sound ampified with radio headphones
Matt's Gallery, 42-44 Copperfield Rd, London E3 4RR
In Entangled²(Theatre II) Lindsay Seers returns to androgynous themes present in her 2009 work It has to be this way at Matt's Gallery. The Renaissance 'theatre of the world' motif of this previous work is bastardised by Seers into vaudeville. For Seers this...
Materials: 4000 scallop shells, wooden structure with benches and confessional grill, black curtained walls, 2 x 1.8 diameter inflatable spheres, 2 HD projectors, 2 x 24 minute films, radio headphones with stereo soundtrack, an original newspaper from 1875
Toulouse International Art Festival, Hôtel-Dieu, Toulouse, France
One of Many was a newly commissioned work conceived specifically for a chapel in the Hôtel-Dieu in Toulouse. The installation was co-produced with Le Jeu de Paume (Paris) and selected by Penelope Curtis (Tate...
Materials: Cardboard and wooden structure finished with clouts, metal chimney, screen, 13 minute video projection with sound from three channels.
Kiasma Museum of Contemporary Art, Helsinki, Finland
Review of Altermodern - Tate Triennial 2009, by Jorg Heiser, Frieze, April 2009. p.108-109.pdf
[Extract] Lindsay Seers, on the other hand, presents a film in which the camera generates experience. Extramission 6 (Black...
2012
Materials: Wood, cardboard, scaffolding poles, polystyrene, dexion, HD video projection, headphones, an independent sound work, a model of Kilburn Tin Tabernacle, wooden fetish sculpture, photographs and a novella.
An Artangel Project (http://www.artangel.org.uk/) Tin Tabernacle, Kilburn, London
The Tin Tabernacle in Cambridge Avenue, London became the site of the film installation Nowhere Less Now by Lindsay...
Hallucinatory, joyful and bold, UNLIMITED PLEASURE is a timely new work that explores the role of desire in our collective obsession with technology. An ironic sex bot explores the origins of life and fetish as part of the complexity of human unconsciousness. Both the violence and pleasures of the mass hallucinatory Real are articulated in this vivid
collage relief.
"We are shaped by unconscious drives we cannot perceive", the artist reflects "It seems desire and...
Materials: Prefabricated/portable corrugated metal and wooden structure, screen and 13 minute HD projection with 5.1 surround sound.
Galleri Festiviteten, Oslo, Norway
Curated by Tor Inge Kveum
Review from a previous exhibition of Linsday Seers' Monocular:
"In Tønnefabrikken (The Barrel Factory) we also find a video installation by the English artist Lindsay Seers who tells a story where the differences between fact and fiction, biography and invention becomes ambiguous. The many narrative threads are spun...
Materials: Vinyl spheres inflated with air, cord, HD video projection, radio headphones with stereo sound track, metal projection mask.
Secret location within Turner Contemporary, Margate
Lindsay Seers’ work operates in a world where everything is connected, and not just by chance. In her new film installation Entangled² she returns, as she often does, to her family history. Seers is fascinated by her great-great uncle’s condition heterochromia, where different coloured eyes result from one twin subsuming the other in...
Materials: Prefabricated/portable corrugated metal and wooden structure, screen and 13 minute HD projection with 5.1 surround sound.
Kunstverein Freiburg, Germany
Artists: Becky Beasley, Laura Horelli, Martin Kippenberger, David Meskhi, Lindsay Seers, Stephen Shore, Susanne M. Winterling
The title translates to "I is another"
The title of this group exhibition refers to the famous saying by Arthur Rimbaud: Je est un autre. The grammatical distortion already expresses the awkwardness of wanting to...
Materials: Cardboard and wooden structure finished with clouts, metal chimney, screen, 13 minute video projection with sound from three channels.
A collaboration between Bonniers Konsthall and Moderna Museet, Stockholm, Sweden
Artists: Rosa Barba, Marco Brambilla, Douglas Gordon, Alex Reynolds, Lindsay Seers, Ryan Trecartin & Lizzie Fitch, Ming Wong
Excerpt from Press Release:
"The film Extramission 6 (Black Maria) recounts how artist Lindsay Seers spoke her first words when she was...
2011
Materials: Cardboard and wooden structure, two masked circular MDF screens on mobile TV arms, DVD projection with 5.1 surround sound, cardboard star, 2 monitors and plinths with headphones, 2 DVDs with stereo sound, benches, free novel to take away.
In 1999 a young woman was involved in a moped accident. She suffered damage to both her short and long-term memory and was left unable to decipher her experiences. A year later she went missing in Rome and has subsequently not been found.
It has to be this way1.5 is a new commission by aspex and...
The photographs were not indicative of a memory. She simply did not have this capacity to access any of her past, nor even any understanding of this as a lack. Instead, the photographs could only be memory in the making. 
(It Has To Be This Way¹)